I’ve made a practice, lately, of creating little round maps, spending an hour each day as a break from commissions. There’s a practical reason: I want to provide good, simple models for my workshop attendees (one–the subject of my last post–late next month at the C Gallery in the Santa Barbara wine country, and a couple of autumn workshops in my Connecticut studio). Beyond this initial reason, however, I’ve really enjoyed these projects–it’s rejuvenating to try new stuff! I’m reminded of my first (unpaid, of course) cartographic efforts, years ago, when everything was new and I was screwing up right and left. I’d forgotten the carefree fun of making mistakes, then learning from them–in my professional work, of course, I wisely avoid mistakes. All my commissioned maps are painted on big canvases (like 3 x 4′), but these little experiments are drawn in ink on beautiful colored Canson art paper, a 10″ circle within a 12″ square, perfect for popping into an inexpensive, ready-made 12″ frame. I love this tobacco shade, but others await me–violet, chamois, amber, terracotta. You know how much I love round maps, and especially radial maps built around a central point. The central point here is our house, a 19th century school building my architect husband, Duncan Milne, recycled for us to live in. We moved here because we loved the house, the historic nature of the town, and the prospect of walking to local destinations. Note our town seal, which I’ve used instead of a compass rose–here’s to you, Durham, CT, and your agricultural heritage!
